artists

Wu Cong 伍聰

Employing archive and memory as tools, WU Cong’s research-based practice is informed by a preoccupation with little-understood histories, ignored facts, individual subjective experiences of the past, and marginalized landscapes that take form in the found objects, texts, old photos, and oral accounts. WU Cong’s works involves video, installation, photography, ready-made, and painting. He uses these different mediums to explore the complex overlap of fact and fiction, past and present, and the everyday and the transcendent. He is seeking to reconfigure the relationship between personal emotions, memories, local history, and places, all in response to our contemporary fears, anxieties, confusions, as well as the struggle to shape identity and the perception of place.

以檔案和記憶為工具,伍聰的研究式藝術創作取材於現成物、文本、舊照片和口述史,關注那些鮮為人知的歷史、被忽視的事實、個體對過去的主觀經驗,以及邊緣化的風景。伍聰的作品涉及錄影、裝置、攝影、現成品和繪畫。他運用這些不同媒介,探索事實與虛構、過去與現在、日常與超然之間的複雜重疊。他試圖在其中重構個人情感、記憶、當地歷史及地方之間的聯繫,以回應我們當代人的恐懼、焦慮、困惑,以及個人身份和對地方感知的無形鬥爭。

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Evie Chen 陳一致

CHEN Yizhi (b. 1993) is a contemporary artist currently living and working in China and the UK.As an active young artist in the field of contemporary art, Chen’s work spans painting, video, installation. She holds a Bachelor’s degree (2016) and a Master’s degree (2019) in Oil Painting from the Guangzhou Academy of Fine Arts. Chen is currently a Doctoral Candidate in Art and Design at the University of Wales Trinity Saint David (UWTSD), UK. Throughout her career, Chen has been recognised with several prestigious awards, including the Inter-youth International Youth Painting Exhibition Creation Award (2018), the Luo Zhongli Scholarship (2019), and the New Star Art Award Excellence Nomination (2020). In addition, she was named a SAP Emerging Artist and selected as one of the “Young Art 100” artists. Her works have been exhibited in numerous contemporary art exhibitions at the Museum of Guangzhou Academy of Fine Arts, Shanghai Mingyuan Art Museum, Beijing Yue Art Museum, AsiaWorld-Expo, Macao Ox Warehouse and other galleries in China. Her works have also been exhibited at the Fitzrovia Gallery, M P Birla Millenium Gallery, Elysium Gallery and other galleries in the UK. During her doctoral studies, she attended plenty of influential international conferences. Her works focus on the process of modernisation, identity and self-presentation in the digital age.

陳一致，生於1993年，是一位活躍於當代藝術領域的青年藝術家，現工作生活於英國和中國。她的創作涉及繪畫、影像、裝置等。 2016年本科畢業於廣州美術學院油畫系。 2019年碩士畢業於廣州美術學院油畫系。現為英國威爾斯三一聖大衛大學藝術與設計博士候選人。 2018年榮獲Inter-youth國際青年繪畫展創作獎，2019年獲羅中立獎學金，2020年獲第11屆新星星藝術獎優秀提名獎，SAP藝術大獎新銳藝術家，青年藝術100藝術家稱號。她的作品參加廣州美術學院、上海明圓美術館、北京悅美術館、香港文博會、澳門牛房倉庫的展覽。她的作品也曾在英國Fitzrovia畫廊、M P Birla Millenium畫廊、Elysium畫廊及其他畫廊展出。並且參加了多個國際會議。她的作品關注現代性進程和數位時代下的自我表達和身份建構。

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Kazy Chan

Kazy Chan is a Hong Kong artist recognised for his innovative paintings and evocative ceramics. Kazy’s artistic journey is characterised by a relentless pursuit of reinvention and experimentation with diverse forms of creative expression. This approach has led him to present a captivating series of works that seamlessly fuse various mediums, one of which involves incorporating his ceramic sculptures into the very fabric of his canvas creations. Kazy’s artistic odyssey began with completing the Design Studies program at the Polytechnic University of Hong Kong. Following a fulfilling tenure in the advertising industry, Kazy embarked on a new chapter dedicated to his artistic endeavours. Since this pivotal transition, Kazy’s recent solo exhibition, The Twist Of A Halo, at JPS Gallery in 2024, along with his participation in esteemed group shows held locally and internationally, has garnered widespread acclaim. The central theme of Kazy’s works is to inspire creativity and cultivate an enriched understanding of the world through his unparalleled artistic perspective.

Kazy Chan是一位新興的香港藝術家，正逐漸在當代藝術領域嶄露頭角。他因創新繪畫和富有感染力的陶瓷作品受到認可和喜愛。其創作不斷追求革新和實現多樣化的藝術表達，這也使得他在作品中融合多種媒介，其中最突出的是將陶瓷雕塑融入他的畫布創作中。Kazy在質感厚重的畫布表面採用乾刷技法，賦予作品生命，使獨特的人物形象在色彩鮮豔的想像空間中躍然紙上。當觀眾進入Kazy的奇幻世界時，會發現自己置身於一個靜謐反思的庇護所，能夠靜靜地思考他作品中描繪的迷人故事。Kazy旨在通過他的繪畫技巧，喚起生機和寧靜，反映出自然界固有的多樣色彩和紋理。每一層色彩逐漸揭開，開啟了一場揭示與隱藏的動態互動，激發觀眾對普世概念和情感的探索。

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Nicolas Leconte

It is often said that the sea shapes those who grow up near its shores. In Nicolas Leconte—now anchored in Brittany but raised on the Normandy coast—this influence is as visible in his landscapes as it is in his approach to the human subject. The horizon, for him, is not a distant line but a constant breath, a metronomic measurement of time. The photographer has built a rich and varied artistic universe, spanning from landscapes to street photography, by way of travel and portraiture. Imbued with vibrant colors, his shots reflect a singular sensitivity where nostalgia intertwines with raw emotion. Driven by a unique mastery of color that grants each image narrative and visual depth, every photograph tells a story. Here, silhouettes find their place within poetic compositions that captivate through their singular aesthetic.

人們常說，海洋塑造了在岸邊成長的靈魂。對於如今紮根於布列塔尼（Brittany）、成長於諾曼第（Normandy）海岸的 Nicolas Leconte 而言，這種影響不僅在他的風景畫作中清晰可見，更滲透於他對人物題材的詮釋之中。對他來說，地平線並非一條遙不可及的界線，而是一道延綿不絕的氣息，一種如節拍器般對時間的度量。這位攝影師構建了一個豐富多元的藝術宇宙，其創作範疇涵蓋風景、街頭攝影，以及旅行見聞與人像紀錄。他的鏡頭色彩斑斕，映射出一種獨特的感性——在那裡，懷舊情懷與真摯赤忱的情感緊密交織。憑藉對色彩的獨到駕馭，他賦予了每一幀影像豐富的敘事性與視覺深度，讓每一張照片都訴說著一段故事。在他的作品中，人物剪影安處於充滿詩意的構圖之內，以其獨樹一幟的美學風格，引人入勝。

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RAY LC 羅銳

RAY LC’s practice probes how we see ourselves from perspectives of the future, given how we understand and (mis)interpret ourselves. RAY is fascinated by how humans express their creativity under constraints of technologies of the past and present. Taking insight from his research in neuroscience (Nature Communications) and HCI (CHI, CSCW), RAY’s exhibitions include BankArt, New York Hall of Science, Kyoto Design Lab, Ars Electronica, Saari Residency, New Museum, CVPR, Athens Digital Arts Festival, Osage Gallery, Macau Biennale, Videotage, Goethe Institute, PMQ, Tai Kwun, Science Gallery MSU, ACC Gwangju, G.MAP, ISEA, IEEE VISAP, SIGGRAPH Asia. RAY founded the Studio for Narrative Spaces: https://recfro.github.io/  

羅銳的創作實踐在於探索：基於我們對自身的理解與（誤）讀，如何從未來的視角來審視當下的自己。他著迷於人類如何在過去與現在的科技限制下表達創造力。RAY 汲取他在神經科學（發表于Nature Communications）與人機交互（發表于CHI、CSCW等）領域的研究洞見，其展覽足跡遍及 BankArt、紐約科學館（New York Hall of Science）、京都工藝纖維大學 KYOTO Design Lab、奧地利電子藝術節（Ars Electronica）、Saari Residency、新當代藝術博物館（New Museum）、CVPR、雅典數碼藝術節、奧沙畫廊（Osage Gallery）、澳門雙年展、錄映太奇（Videotage）、歌德學院、元創方（PMQ）、大館（Tai Kwun）、密歇根州立大學科學藝廊、光州國立亞洲文化殿堂（ACC Gwangju）、光州媒體藝術平台（G.MAP）、ISEA、IEEE VISAP 及 SIGGRAPH Asia。RAY 亦是敘事空間工作室（Studio for Narrative Spaces）的創辦人。網站：https://recfro.github.io/

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Bowen Liu 劉博文

Bowen is an artist working at the intersection of Generative AI, Cultural Heritage, and human perception, currently doing research and art projects at City University of Hong Kong. He pursued a masters at Central Academy of Fine Arts, where he exhibited technology-mediated works in Beijing. His creative scope encompasses generative art, installations, and visual experiments. He has published works at DIS, ACM CC, ISEA, and exhibited with SNS at Tai Kwun, HKAC, JCCAC, PMQ. These works particularly utilize state-of-the-art tools in machine learning and AI to show human experiences from often nonhuman perspectives.

劉博文是一位游走於生成式 AI、文化遺產與人類感知交匯處的藝術家，目前在香港城市大學從事研究與藝術項目。他曾在中央美術學院攻讀碩士，並於北京展出以科技為媒介的作品。他的創作範疇涵蓋生成藝術、裝置與視覺實驗。其作品曾發表於 DIS、ACM CC、ISEA，並隨 SNS 團隊於大館、香港藝術中心、賽馬會創意藝術中心（JCCAC）及元創方（PMQ）展出。這些作品特別利用機器學習與 AI 的尖端工具，以往往非人類的視角來呈現人類經驗。

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Lucy Long Ling 凌瓏

Lucy Long Ling is a multidisciplinary artist and HCI researcher working at the intersection of generative artificial intelligence, human–AI collaboration, and critical design. Her practice explores how emerging technologies reshape creativity, identity, and social relationships, with a particular focus on AI-generated images, narratives, and interactive systems. By combining computational methods, design research, and experiential installations, her work examines issues of authorship, trust, and authenticity in algorithm-driven environments. Long Ling’s research and artistic projects have been presented at international conferences and exhibitions, including PACM HCI, CSCW, SIGGRAPH Asia, and Athens Digital Arts Festival. http://long-ling.com 

凌瓏是一位跨學科藝術家與人機交互（HCI）研究員，致力於生成式人工智能、人機協作與批判性設計的交匯領域。她的實踐探索新興科技如何重塑創造力、身份認同與社會關係，特別關注 AI 生成影像、敘事與互動系統。透過結合運算方法、設計研究與體驗式裝置，她的作品審視演算法驅動環境中的作者權、信任與真實性議題。Long Ling 的研究與藝術項目曾於多個國際會議與展覽中發表，包括 PACM HCI、CSCW、SIGGRAPH Asia 及雅典數碼藝術節。網站：http://long-ling.com

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Star Sijia Liu 劉思佳

Sijia Liu, also known as Star, is a curator and artist working at the School of Creative Media, City University of Hong Kong. She earned her MFA from SCM CityUHK and a BFA from the School of the Art Institute of Chicago. Her extensive experience includes art creation, design, curation, and event planning. As a practitioner in HCI with an artistic background, she explores the potential of GenAI technology to assist individuals in creative professions. As a curator, her curated research-based practice exhibitions supported by HKADC, was showcased at Fringe Club, HKAC and Tai Kwun. Her academic works were published at ACM CC, Multimedia, ISEA. https://starliusijia.com/ 

劉思佳是一位策展人兼藝術家，目前於香港城市大學創意媒體學院攻讀博士學位。她於城大創意媒體學院獲取藝術碩士（MFA）及芝加哥藝術學院（SAIC）獲取學士學位（BFA）。她具備豐富的藝術創作、設計、策展與活動策劃經驗。作為一位擁有藝術背景的 HCI 研究者，她探索生成式 AI 技術協助創意的潛力。作為策展人，她獲香港藝術發展局（HKADC）支持的研究型策展項目曾於藝穗會、香港藝術中心及大館展出。她的學術作品曾發表於 ACM CC、Multimedia 及 ISEA。網站：https://starliusijia.com/

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Evan Yifan Zhao 趙一凡

Yifan Zhao is a PhD candidate at the School of Creative Media, City University of Hong Kong. She holds a BFA in Film Production and New Media from the Communication University of China and an MA in Film and Media Studies from Columbia University, with a focus on emergent media. Her practice and research center on VR, immersive media, and virtual reality, exploring how GenAI and cinematic virtual reality shape perception, emotion, and meaning-making. Working across research-through-design and artistic experimentation, her works have been published at venues including ICHEC, IEEE and CHI.

趙一凡是香港城市大學創意媒體學院的博士候選人。她持有中國傳媒大學電影製作與新媒體學士學位，以及哥倫比亞大學電影與媒體研究碩士學位，專攻新興媒體。她的實踐與研究聚焦於虛擬實境（VR）、沉浸式媒體，探索生成式 AI 與電影式虛擬實境如何塑造感知、情感與意義建構。她的工作跨越「透過設計進行研究」（Research-through-Design）與藝術實驗，作品曾發表於 ICHEC、IEEE 及 CHI 等平台。

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Lareina Molin Li 李墨琳

Molin Li graduated from the Hong Kong Academy for Performing Arts and is a choreographer whose work blends traditional dance with cross-media innovations. She has been invited to perform at Germany’s Hanover Art Festival, the Drama Carnival in Beijing 798, and the Wuzhen Theatre Festival. Molin frequently experiments with merging digital animation and dancer movement, as well as translating dancers’ movements into soundscapes for live performances. Additionally, she is involved in research using motion capture to explore avatar-based performance, enabling dancers to engage with identities beyond their own.  Learn more at https://lareinali.art/

李墨琳畢業於香港演藝學院，是一位致力於將傳統舞蹈與跨媒體創新融合的編舞家。她曾受邀至德國漢諾威藝術節、北京 798 戲劇嘉年華及烏鎮戲劇節演出。Molin 經常實驗將數碼動畫與舞者動作結合，或將舞者的動態轉化為現場演出的音景。此外，她亦參與利用動態捕捉技術探索基於化身（Avatar）的表演研究，讓舞者能夠與自身以外的身份進行互動。了解更多：https://lareinali.art/

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MetaObjects 元物

MetaObjects is a digital studio based in Hong Kong and London.Formed by Andrew Crowe and Ashley Lee Wong, MetaObjects aims to facilitate digital production with artists and cultural institutions. Working across a range of media, MetaObjects seeks to encourage the sharing of knowledge of new digital tools and processes. Through close collaborations, MetaObjects builds a deep understanding of the possibilities of new technologies to help realize projects to a high standard of production. https://metaobjects.org/ 

元物是一間以香港和倫敦為基地的數碼工作室，由 Andrew Crowe 與 Ashley Lee Wong 創立，旨在促進藝術家與文化機構進行數碼製作。MetaObjects 涉獵多種媒介，致力於推動新數碼工具與流程的知識共享。透過緊密合作，MetaObjects 深入理解新科技的可能性，協助項目以高水準的製作質量呈現。網站：https://metaobjects.org/